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- CANON MARK 5D II BEST PRICE MOVIE
- CANON MARK 5D II BEST PRICE 1080P
- CANON MARK 5D II BEST PRICE PRO
- CANON MARK 5D II BEST PRICE ISO
All things considered, it's a pretty nice implementation.
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Canon supports 1,920x1,080 at 30fps, true 1080p HD, with a mono mic built in and stereo mic input, with clips of up to 12 minutes (on a 4GB card). The most notable feature advantage the 5D Mark II has over its competitors is the movie-capture capability.
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C'mon Canon, eke out that last 2 percent, please. While it offers broader coverage than the D700's-98 percent versus 95 percent-it falls short of the 100 percent provided by the A900 and by midrange models like the Olympus E-3. The viewfinder is slightly larger and a bit brighter than the 5D's. ( Click through the slide show for more on the camera's design and features.) The 5D Mark II uses the same joystick multicontroller and Quick Control dial with Set button as its other recent models. Unfortunately, most of the buttons on the body feel identical to their neighbors. The top rear right has buttons for initiating AF, exposure lock, and focus-point selection down the left rear are the Live View/PictBridge, Menu, Picture Styles, Info, Playback, and delete buttons. The mode dial on the top left offers just the basics-as it should: Bulb, PASM, Auto, three custom settings slots, and the Creative Auto mode that debuted in the EOS 50D. I miss that, as well as the direct-control metering switch on the A900 and Nikon D700. Unlike the Sony Alpha DLSR-A900, the top status LCD displays complete information you can pull the current settings up on the rear LCD as well, but can't navigate them the way you can on that camera.
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On the top sits the main dial plus four dual-purpose buttons that access adjustments for the metering (huge 3.5 percent spot, 8 percent partial, center-weighted, and evaluative) and white balance AF (single, AI Servo and AI Focus) and drive modes and ISO sensitivity and flash compensation. The downside of the updated design is that it takes new accessories, including a new battery and new vertical grip.Ĭanon reorganized the controls a bit from the rest of its models.
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Like all of Canon's pro dSLRs, it's very comfortable to grip and shoot. But while it's clearly solidly made, it nevertheless doesn't feel quite as tanklike as the D700.
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The body itself is a steel chassis covered with magnesium alloy. Canon says it beefed up the dust and weather sealing a bit around the card cover and buttons and improved rated shutter durability for up to 150,000 cycles. Slightly heavier than its predecessor, the Mark II weighs just over 2 pounds. As with all of the high-resolution models, however, it really makes a difference to go for the sharpest lenses in the arsenal. Usually I'm not a fan of the lenses that ship as part of kits like this, but I ended up liking the 24-105mm a lot more than I expected and think it's a good match for anyone looking for a first lens to pair with the camera. The camera comes in two official configurations: the body-only or a kit version with the EF 24-105mm f/4L IS USM lens.
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It's also priced fairly aggressively compared with the competition despite its new 21-megapixel CMOS sensor and groundbreaking movie capture capability. And with many of the imaging components of the 1Ds Mark III (including a later version of the image-processing engine, Digic 4) for a price tag $5,000 lower, it's certainly an attractive alternative. The successor Canon delivers: the EOS 5D Mark II is in many ways a must-have upgrade, especially for the wedding photography crowd for whom the 5D is a workhorse. Though it's always had a big fan base, Canon EOS 5D users have nonetheless been itching for more. Three years is a long time for any product to hang around, especially when the technology changes as rapidly as it does for digital cameras.